… I believe this was the first song that we wrote that turned out really special, maybe our first effort?
Those were fabulous times for me. Great singers, a terrific producer and songwriter and studio owner and friend to collaborate with. We had it all!
John Purser has been editing my tracks (clicks and backings) for over 5 years. His work is spot on!
His musical knowledge is clear-cut. He is precise, articulate and accurate.
Above all he is an absolute pleasure to work with. If there’s ever a problem to solve, he is patient, quick and focused on the task at hand!
Working with clients like the BBC, P&O and The Ministry of defence, I know I am in good hands when my tracks or charts need some TLC (even at a moments notice).
I would not hesitate to recommend John and Brick Hit House to fellow musicians and performers.
They are ace!!’
Kelly O’Brien (The Dolly Show)
Hi, I’m Martyn Baylay. I’m a songwriter & lyricist and as part of my song writing output I wrote the UK entry for the Eurovision Song Contest in 2002 in which we came joint 3rd!
I have used BrickHitHouse studios on many occasions and have found John Purser to be most professional and totally dedicated to achieving the results I require.
Highly recommended!
“Wow!!!
This track sounds soooo good!!! You go John!
It’s solid and I don’t miss anything!
I am really happy with the track. You did a great job.
You have the tech now. I can hear it.”
I’m a record producer. I’ve been working with The Supremes (as a group and individual members) for over 25 years. Most of the tracks for songs I’ve recorded/mixed/mastered and published have been through my collaboration with JOHN PURSER. He’s a great guy who listens to what I want, easily interprets my ideas into great sounding, excellent quality programming. He keeps on top of the lastest, ever-changing music and technical trends which always result in phenomenal music. His studio can also accommodate live musicians and/or vocal recordings, two facilities I’ve used many times with great results. John’s extensive experience as a keyboard player and engineer/producer has given him the ability to credibly tackle any music genre successfully. If you’re looking for an easy-going, honest, trustworthy and reliable guy to help you make great music – you’ve found him.
I first started to work with JP at the BrickHitHouse around the late 1980’s and very quickly formed a working and personal relationship that has continued to this day.
The level of expertise and professionalism shown to me is the reason for such a long standing association with JP and his studio.
Together we wrote a number of songs, good and bad and indeed bloody awful but out of this came a few golden nuggets that we are both very proud of.
In particular our song ‘Don’t Wanna Wait Forever’ that was recorded by the great late Robin Gibb and included on his last album ‘Magnet’